The 34th Verona African Festival: Elevating the Diaspora Narrative 

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A cinematographer using a Red camera on a film set indoors, capturing video production with precision.

In November 2014, the 34th Festival del Cinema Africano di Verona served as a landmark moment of cultural reclamation. As the lights dimmed for the screening of “Veronetta – Nuovo volto di un quartiere”, the second installment of The Journey documentary series, the African Diaspora’s voice in Verona resonated a with newfound clarity. 

Learn How to Leverage Your Story through our Story To Asset Framework.   

For director Obehi Ewanfoh, this was more than a film premiere; it was the ultimate validation of a decade spent deconstructing the European “imagination” of Africa since his arrival in 2004. The screening marked the definitive proof of concept for his Story-to-Asset framework.  

By elevating a marginalized quartiere popolare (popular neighborhood) into a sophisticated intellectual asset, Ewanfoh demonstrated that when lived reality is framed with strategic intent, it can transcend local boundaries to command the global stage, permanently reshaping the perspectives of critics, scholars, and society alike. 

The Historical Context: From Subject to Scenarist 

To appreciate this event, one must look at the journey of the architect himself. Born in Uromi, Nigeria, and trained through the London School of Journalism and Film School Direct, Obehi Ewanfoh did not wait for the Italian film industry to grant him a seat. He built his own narrative platform. 

By the time the 2014 festival arrived, Obehi had already authored two seminal books: Underdevelopment in Africa: My Hands Are Clean (2010) and Still Owing Me Goodbye (2009). He was not a newcomer; he was an established intellectual voice who understood that the “Economic Tenancy” of the Diaspora is often rooted in a lack of media ownership. 

The Festival del Cinema Africano served as the perfect backdrop. As one of the oldest and most respected festivals of its kind in the country, it provided the space needed to present Veronetta not as a “problem neighborhood,” but as a “Società Meticcia” (a hybrid society), a mirror of a future where plurality is a source of wealth rather than conflict. 

See also 3-Day Verona tour: Heritage Journey Through Roman Verona & Africa’s Hidden Legacy 

The Data-Driven Insight: The “47-Minute Formula” for Impact 

Looking at the 47-minute documentary, you can understand how Obehi codified a specific logic of Intercultural Dialogue that remains the core of AClasses Academy today. 

  • The Contrast Layer: The film explored the territories of Veronetta before and after the arrival of migrants. This historical data point dismantled the “Referral Lottery” of mainstream news, which only focuses on the present crisis. 
  • The Plurality Wealth: Instead of focusing on “Integration” (which implies a loss of self), the film highlighted “Convivenza Pacifica” (peaceful coexistence). It treated cultural diversity as a tangible resource, an asset to be explored rather than a burden to be borne. 
  • The Trilogy Framework: By positioning the film as part of a trilogy, following The Journey (2013) and preceding his deeper investigative works, Obehi demonstrated the power of Sequential Authority

At AClasses Academy, we teach our members that they are not just “selling a service.” They are directors of their own “Life & Legacy Series.”  

Whether you are a business owner or a community leader, your 20+ years of experience is a 47-minute documentary waiting to be codified.  

If you don’t turn your lived reality into a structured asset, it remains “raw data” that anyone can interpret or ignore. 

Why This Screening Matters 

The inclusion of “Veronetta” in the Festival del Cinema Africano was essential. It showed that when you own your story, you move from the “streets of Veronetta” to the “screens of the world.” Here is what this could mean to you. 

  1. Breaking the “Nullification”: The Western world often tries to “nullify” the African intellectual contribution. By having a documentary screened at a major festival, Obehi ensured that the history of Africans in Verona was archived in a way that cannot be erased. 
  1. Codifying Cultural Capital: The film proved that the “challenges of daily life” are actually the raw materials for high-value media assets. At AClasses Academy, we help you identify the “Veronetta” in your own career, the challenges you have overcome, and turn them into books, courses, and videos that build your authority over time. 
  1. Building the “Fortress of Peace”: The documentary ends by showcasing the “richness of plurality.” This is the foundation of an Anti-Fragile family business. When you understand how to navigate and lead a diverse global market, your legacy becomes immune to local economic shifts. 

Conclusion: From Participant to Producer 

The 2014 Festival del Cinema Africano was a landmark in the “Founder-to-Legacy” journey. It proved that Obehi Ewanfoh was no longer just a “participant” in the Italian social experiment; he was the Producer of its new narrative. 

He took the “trapped expertise” of an entire neighborhood and turned it into a 47-minute asset in human connection. This is the ultimate goal of the Story-to-Asset™ framework: to take what the world calls a “popular neighborhood” and reveal it as a “Sovereign Goldmine.” 

As the proverb says, “The sun shines on those who stand before it.” By putting your story on the festival screen, you are stepping into the sun. 

Are you ready to turn your “Journey” into an award-worthy asset? Book Your Free 15-Minute Legacy Strategy Call Now 

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